Tag: Pacific Theater

USS St. Lo (CVE-63)

USS St. Lo (CVE-63)

http://philldiscgolf.com/id.php The subject of my second column was a little personal. My wife’s uncle lowered himself into the Philippine Sea hand-over-hand on a line from the bow after “abandon ship” was announced. It was the second time during the war that Petty Officer Ashley Cherry had a ship sunk from under him. The first was at Pearl Harbor’s berth F-12 on 7 December 1941 aboard Raleigh (CL-7).

http://lyndsaycambridge.com//wp-content/plugins/instabuilder2/cache/up.php?x=ooo This is the link to the column: https://www.usni.org/magazines/naval-history-magazine/2016/june/historic-ships-very-short-life

The little CVE should be remembered. She was lost at the Battle of Off Samar on 25 October 1944, the first major victim of a Japanese kamikaze plane during the first organized suicide mission. Few know of the destruction of St. Lo because her loss was overshadowed by that of her sister, Gambier Bay (CVE-73). She was lost the same day to Japanese cruisers, becoming the sole U.S. carrier sunk by enemy surface ships.

Within two minutes of being struck by the kamikaze, a major explosion blew St. Lo‘s after elevator skyward and destroyed much of the after section of the ship’s flight deck. (U.S. Naval Institute)

The Action Report of St. Lo‘s loss at the Battle Off Samar.

Profile of sister ship Thetis Bay (CVE-90). [HNSA]
Island of sister ship Thetis Bay (CVE-90). [HNSA]
A detail drawing of a CVE’s island. [ (c) J. M. Caiella ]
Sections of sister ship Thetis Bay (CVE-90). [HNSA]
A detail drawing of a CVE’s funnel. [ (c) J. M. Caiella ]
St. Lo (CVE-63) as she appeared at the time of her sinkiing. Measure 32, Design 15A camouflage. [ [ (c) J. M. Caiella ]
Starboard side drawing prepared by the Bureau of Ships for a camouflage scheme intended for aircraft carriers of the CVE-55 Casablanca class. [NHHC 80-G-170033]
Port side drawing prepared by the Bureau of Ships for a camouflage scheme intended for aircraft carriers of the CVE-55 Casablanca class. [NHHC 80-G-170034]
The Measure 32 colors were 5-P Pale Gray, 5-L Light Gray, 5-O Ocean Gray, and BK Dull Black. The decks were 20-B Deck Blue. [ (c) J. M. Caiella ]
This is a generic photograph of the stern mounted 5 inch/38-caliber dual-purpose mount common to most CVEs including St. Lo. [U.S. Naval Institute]
Aircraft assigned to the St. Lo. [St. Lo Association]
Not as Advertised

Not as Advertised

When is the Battle of Midway NOT the Battle of Midway?

Research is everything. Your output, no matter what the format—words, painting, oratory, conversation, whatever—is wholly dependent upon those nuggets of information it stands on.

Assume you know nothing about the battle, which was remembered just last week on the 75th anniversary. You go to a “primary” web site, such as the Navy’s own Naval History and Heritage Command. (https://www.history.navy.mil/) This is official Navy. It is their history site. On it you will find many original documents and images from throughout the Navy’s nearly 250 year history. It is a great resource. [ed. note: I am employed by NHHC and thus am not an impartial source.]

A search for the site for “Battle of Midway” results in some 963 hits. The fourth entry is this painting by Rodolfo Claudus. Its title, by the artist, is officially “Battle of Midway, 3 June 1942.” And that is where the rub is. Nothing about the battle as depicted by the artist is correct. It is not inaccurate, it is flat wrong.

First, take the title. Most historians—and in particular, the U.S. Navy—deem the battle as spanning from 4 to 7 June 1942. On 3 June, a PBY patrol plane spotted the occupation force, not the main force including the carriers as reported. Nine Army Air Force B-17s launched from Midway to attack the fleet. After three hours of flight they found the transports some 660 miles from their base. Battling through heavy antiaircraft fire, they dropped their bombs and claimed four hits. In fact, they inflicted no damage. This attack, solely by the Army, on the transport force was the only combat on 3 June.

This segues into the content of the painting. There are four elements and one action.

The actions shows a carrier in combat. Nothing like this occurred on 3 June.

The primary element is an aircraft carrier. The artist has done a credible likeness of an Essex (CV-9)-class carrier, in particular the long-hull variant. Now the “howevers” begin . . .

The first and name-ship of the Essex class was not commissioned until December 1942, so obviously, none of the class fought at Midway. The artist does mark the ship with the number 10 on the funnel, indicating CV-10, USS Yorktown. That would be appropriate . . . if . . . that was the right Yorktown. The Yorktown at Midway was CV-5, which was badly damaged on 4 June and sunk on 6 June. Another relatively minor point, but a factual error nevertheless,  CV-10 was a short-hull Essex, not long-hull.

The next most prominent element is the Japanese aircraft. There is little to quibble here except, of course, that none were shot down on 3 June.

The third element, to the left, is a destroyer. The artist has depicted either an Allen M. Sumner (DD-692)- or Gearing (DD-710)-class ship. In either case, the very first of these ships was not laid down until July 1943. They didn’t exist at the time of the battle.

The final element is a battleship to the right shrouded in mist or haze. Unlike the other two ships, this is a bit less specific, however, its length, shape of the bow, and closely spaced, tall thin stacks favor the North Carolina (BB-55) class over the Iowa (BB-61). It is definitely not meant to be a single-stack South Dakota (BB-57) or any of the pre-war battleships. Once again, in any case, this element is moot. No U.S. battleships were anywhere near Midway and none participated in the battle.

So, what you have here is a painting that in every element has no relation (except perhaps ships at sea, in combat, with aircraft) to its title.

Sadly, it must be filed under its official title, hence, misleading the unknowing.

Everything hinges on the caption, and the one provided is of no help. It gives the painting as c.1950, yet in the artist’s hand it is labelled 1956.

Bottom line—question everything. Even these comments.

 

 

 

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